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THE BASIC FUSING AND SLUMPING PROCESS
Second Part
THE COOLING PHASE
After soaking, when the glass has taken on the desired shape, the process
enters the "Cooling" phase. This involves cooling the glass until the red color goes away and the natural color starts
to come back.
Historically, cooling was
accomplished rapidly by lifting the lid of the kiln for a few seconds and allowing some
of the hot air to escape. However, in recent years the tendency has been
to allow the kiln to cool naturally, without opening the lid. This
approach avoids the risk of burns or exposure to heat from holding the kiln lid
open at high temperatures.
The major argument for cooling rapidly (as well as for the rapid
temperature increase at the end of the heating phase) is to reduce the amount of
time the glass spends above 1300 degrees Fahrenheit (700 Centigrade). Glass
left too long in this zone has a tendency to devitrify, or take on a scummy,
generally unattractive surface appearance that is difficult, if not impossible,
to reverse.
Devitrification occurs when glass molecules start to
crystallize. It usually takes the appearance of a whitish scum on the top edge
of the glass being fired. Most glass artists consider it to be a nuisance to be
avoided, but some like the effect and use it in their glass projects. It is most
likely to occur above 1300F (usually around 1350 to 1400 degrees F); for this reason, it's a good
idea to minimize the time glass spends around that temperature.
Some glasses are more prone to devitrification than others and some, such as
the "tested compatible" glass manufactured by Bullseye, Uroboros, and
Spectrum, have been especially formulated to resist devitrification. You can
also minimize devitrification by spraying or brushing on a "devit
spray" prior to firing. This spray is available commercially under several
different names (Spray "A", Clear Coat Overglaze, Super Spray).
It's also possible to
make
your own version of the spray using borax and water.
Since most glasses made for fusing in a kiln are formulated to resist
devitrification, it's usually possible to allow the kiln to cool naturally
during the phase, thus avoiding the risks of burns or exposure to heat from
holding the kiln lid open at high temperatures.
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THE ANNEALING PHASE
Once the Cooling phase is complete and color has started to return to
the glass, the kiln has cooled to approximately 1050 degrees Fahrenheit and the
"annealing" phase begins. Annealing is a process by which the stress
in the glass is relieved and the molecules in the glass are allowed to cool and
arrange themselves into a solid, stable form. Successful annealing is the key to
creating glasswork that will remain stable once it cools to room temperature.
Unlike many substances, glass does not melt or harden at a single
temperature. Instead, it gradually softens and hardens as the temperature
changes. The phase during which this transition from liquid to solid occurs is
called the "annealing zone." There are three critical points within
this zone.
- The Upper Annealing Point - this is the upper end of the annealing
zone, where the glass begins to return to solid form.
- The Annealing Point - this is the temperature where the molecules
in the glass optimally realign themselves evenly throughout the glass. It's
always between the upper annealing point and the strain point.
- The Strain Point - this is the lower end of the annealing zone. It's
the place where the glass solidifies. The stress (or strain) remaining in the
glass at this point is unlikely to be changed or relieved unless the glass is
heated up again and annealed again.
The concept of annealing glass centers on the notion that soaking the glass
at a point in the annealing zone can relieve stress. In theory, you can relieve
the glass of strain and anneal at any temperature in the annealing zone, but the
closer you are to the actual annealing point, the more efficiently annealing
will take place.
After soaking at the annealing point, you should slowly reduce the
temperature until it is below the strain point. The purpose of the initial soak
is to allow the glass molecules time to adjust as the glass moves from liquid to
solid. Slowly dropping from the annealing point to the strain point helps ensure
that stress is not reintroduced before the strain point is reached.
Every type of glass has a different annealing temperature and a different
annealing zone. Tests can be performed to determine these points, but even for
the same type of glass they will differ slightly depending on the color or other
variables in the glass. If your fused item uses many different types of glass,
it may have many different annealing points and annealing zones, making the
annealing zone soaking and cooling process extremely complicated.
Constant linear annealing (sometimes called "shotgun" annealing) is a method of annealing that does not require you to know
the annealing point of the glass. Instead of soaking at a given point, the
constant annealing approach simply allows the temperature to drop very slowly over a range
that is large enough to encompass many different annealing zones. The idea is
that you will be able to anneal at a number of different annealing points as the
temperature drops through the range.
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THE COOLING TO
ROOM TEMPERATURE PHASE
Once annealing is complete, the Cooling to Room Temperature phase begins.
Often this is no more complicated than simply allowing the kiln to cool
naturally, but thicker pieces of glass and kilns that cool rapidly require a bit
more attention. The key is to slow down the rate of cooling so that thermal
shock is prevented and the glass cools without cracking.
Probably the most important factor in how quickly you can cool the glass is
the overall size and thickness of the glass being cooled. Very small pieces can
generally be cooled as rapidly as desired, but larger pieces need more time to
cool. For example, a 12" (30 cm) diameter 1/8" (3 mm) thick glass can
safely cool from 750 degrees F to room temperature in 40 minutes. Doubling the
thickness to 1/4" (6 mm) doubles the time required to 80 minutes and
3/8" thick glass requires at least two hours to cool to room temperature.
If your kiln retains heat very well, the natural cooling rate of the kiln may
be sufficiently slow. In some cases, however, you may need to intermittently
fire the kiln to slow down the rate of cooling. It's a good idea to keep
records so you learn how quickly your kiln cools.
Click here to
go to the next part of the tutorial, "Preparing the Kiln for Firing."
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