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I am trying to find the right technicque for photographing my plates so they look professional. Do many of you use professional people? A lot of my glass is transparent, so the darker backgrounds don't work. I spent the entire day taking these images and writing these descriptions. Any advice? http:...

Hi Paul- Yes, I was talking about bubbles forming in the glass in my original post (clear layer, colored layer, then clear layer on top). I'm going to try your firing suggestion today. Last night I tried putting colored pieces on top, and they merged beautifully with no bubbles, except I hadn't yet ...

Thank you Paul, also very helpful. Right now, if I can get rid of those bubbles, I'll be ecstatic. But yes, the economics will come into question eventually. That was my next step, to figure out how fast I can reach certain temperatures without devit. Great tips.

Thanks again.

Thank you Steve, I never thought of putting the colors on top, I will try that now and see how the firing goes overnight.

(Dani the size of the piece is 9", and its firing in a 14.5" x 6.5" kiln. Each layer is the standard glass thickness.)

I need help getting bubbles out of my fusings. I take a piece of clear, cut out colored pieces, place them on the clear, and then cap it with another piece of clear. (Bullseye glass). So its three layers. I take it up to 1500 at 310/hour with a 15 minute soak. Now the bubbles have surfaced, but they...