WarmGlass.com

Thanks Cynthia! It doesn't quite address my exact problem, but there was so much info that I was able to formulate a better informed plan. I have a question about the swarf. WHY does it have to be kept wet until scrubbed? (an early lesson learned when I switched from stained glass to fusing, LOL) Ho...

Hi all, I have an uneven surface on a piece of glass that I want to flatten before fusing it onto another piece. What is the coarsest grit level I can get away with and not compromise the fuse? The surface that is "ground away" will be down and not show on the final surface, so the questio...

Thanks Bert. How does the finished size compare to the size of the original top piece? Is it nearly the same?
thanks again,
-SB

Hi, I want to use the technique of cutting the bottom of a full fuse square slightly smaller so that the top piece folds over it in the fuse. (A tip passed on by Tony Glander in a class, but no specifics and it was long ago). I've done it before with more solid designs (also long ago), but for this ...

Helios Glass publishes an ebook of stands and mounting techniques that discusses the L-hook technique. The tip of the hook is visible, no getting around that, but surprisingly not distracting to the piece. in my experience. This is the ebook: Easy to Make Stands for Fused Glass http://fusedglassbook...

JenniferB wrote: Brock,
You've actually explained it beautifully. Thank you.
Jennifer

Yes, a great discussion!

I am curious, Brock, why you add the clear layer. Is it aesthetic or functional? Does it help fill in the gaps and chinks (if there are any) in the PB slices?
thanks,
--SB