I should know this and need an answer if possible tonight
8 stacks of bullseye tac fuses with no distortion at 1300 with a 10 min hold
Glass stuck together without changes in the edges
Spectrum 96 site says tac fuse is 1350....... Sounds high to me
The stack is 24" by 1" tall and for this I do not want to use a dam
Help please!!!
Help on a tac please
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Help on a tac please
Laurie Spray
New website!! Http://bonnydoonfusedglasstools.com
Maker of stainless steel rings,pattern bar formers, pot melt pots, and Bottomless Molds
glass: http://lauriespray.blogspot.com
New website!! Http://bonnydoonfusedglasstools.com
Maker of stainless steel rings,pattern bar formers, pot melt pots, and Bottomless Molds
glass: http://lauriespray.blogspot.com
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Re: Help on a tac please
I find 1350 to be the upper range -- in my kiln 1350 will round out the edges. The glass will start "sticking" together anywhere after about 1250. I think you would be OK at 1300 with S96, as well, but it would be good to do a testLaurie Spray wrote:I should know this and need an answer if possible tonight
8 stacks of bullseye tac fuses with no distortion at 1300 with a 10 min hold
Glass stuck together without changes in the edges
Spectrum 96 site says tac fuse is 1350....... Sounds high to me
The stack is 24" by 1" tall and for this I do not want to use a dam
Help please!!!

Dana W.
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Re: Help on a tac please
thanks Dana
Laurie Spray
New website!! Http://bonnydoonfusedglasstools.com
Maker of stainless steel rings,pattern bar formers, pot melt pots, and Bottomless Molds
glass: http://lauriespray.blogspot.com
New website!! Http://bonnydoonfusedglasstools.com
Maker of stainless steel rings,pattern bar formers, pot melt pots, and Bottomless Molds
glass: http://lauriespray.blogspot.com
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Re: Help on a tac please
You are looking for an effect of heat work. Different kilns with different loads will make their heat work differently. You can never just go by some posted temperature. You have to observe and go by your observations.
I learned about this with a radical situation. Before I built my big kiln, I rented time in a car kiln, large enough to walk in. The kiln was all brick. Firing 20mm glass to 1400 in that kiln created much more heatwork than 1480 in my fiber kiln. The catch to this situation is that temperature does matter. But, in some kilns to get to a particular temperature, you have to put the glass through more heat work than in others. In my fiber kilns, I have way more control than in brick kilns.
I learned about this with a radical situation. Before I built my big kiln, I rented time in a car kiln, large enough to walk in. The kiln was all brick. Firing 20mm glass to 1400 in that kiln created much more heatwork than 1480 in my fiber kiln. The catch to this situation is that temperature does matter. But, in some kilns to get to a particular temperature, you have to put the glass through more heat work than in others. In my fiber kilns, I have way more control than in brick kilns.
Bert
Bert Weiss Art Glass*
http://www.customartglass.com
Furniture Lighting Sculpture Tableware
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Bert Weiss Art Glass*
http://www.customartglass.com
Furniture Lighting Sculpture Tableware
Architectural Commissions