walpole stain on float
Posted: Tue Oct 28, 2003 11:09 am
In contrast to the pic posted earlier, Cliff Oester's Old Walpole stain on unblasted float kicks ass. Bug body gold color is silver stain:
Guide to fusing, slumping, and related kilnforming techniques
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Old Walpole beats any stain available from Ruesche by a long shot.Don Burt wrote:In contrast to the pic posted earlier, Cliff Oester's Old Walpole stain on unblasted float kicks ass. Bug body gold color is silver stain:
I don't know anything about how stain works on tin side vs. non. I should throw a test of that in the kiln next time.Becca wrote:Don, nice design on the circle. They would make a spectacular transom. I have a question about that piece and this one.
Do you test for tin side on your float to see which side to put the SS? I've heard non-tin side will take SS better. What's the buzzzzz?
From warmglass archives:Michael McNerney wrote:Where can I get some of this stain that I am reading about?
It made a big difference in the test I did. I cut a scrap of 1/4 float in half and painted opposite sides with what I think was fairly identical applications. One side came out stronger.Don Burt wrote:I don't know anything about how stain works on tin side vs. non. I should throw a test of that in the kiln next time.Becca wrote:Clip
I have a question about that piece and this one.
Do you test for tin side on your float to see which side to put the SS? I've heard non-tin side will take SS better. What's the buzzzzz?
Becca wrote:Wow! That is a big difference. Is that the same Reusche as on your medallion?
No its Ancient Walpole stain
ps- took ya long enough JK
my kiln isn't good for testing...have to test when there's similar work in there. Progress is made slowly in my studio.