Old technique question
Posted: Wed Oct 30, 2024 12:15 pm
Hi everyone,
I’m relatively new to fusing and came across a turn of the century glass that I’m trying to replicate for a fireplace mosaic design. The glass is by Giannini and Hilgart (Chicago) who did a lot of glass work for Frank Lloyd Wright and others. Any idea how they were able to achieve this pattern on the leaves? I believe they used a gold paint/enamel, but I’m not sure how they achieved the broken/deconstructed pattern. It seems like they applied an oil or some kind prior to painting in order to disrupt the applied paint? I’ve tested out a lot of techniques to no avail, and curios if anyone had ideas?
For my project, I will probably use a customized stencil to simulate the look, but I’m dying to know how this was done.
Thanks in advance!
I’m relatively new to fusing and came across a turn of the century glass that I’m trying to replicate for a fireplace mosaic design. The glass is by Giannini and Hilgart (Chicago) who did a lot of glass work for Frank Lloyd Wright and others. Any idea how they were able to achieve this pattern on the leaves? I believe they used a gold paint/enamel, but I’m not sure how they achieved the broken/deconstructed pattern. It seems like they applied an oil or some kind prior to painting in order to disrupt the applied paint? I’ve tested out a lot of techniques to no avail, and curios if anyone had ideas?
For my project, I will probably use a customized stencil to simulate the look, but I’m dying to know how this was done.
Thanks in advance!